On Metacritic, the album has a weighted average score of 69 out of 100 based on 19 reviews, indicating "generally favorable reviews". When You See Yourself has received generally positive reviews from critics. Critical reception Professional ratings Aggregate scores The tokens were developed and hosted by YellowHeart, a ticketing platform employing blockchain technology. They contained a special album package, a live show package, and an audiovisual package. The release came in the form of three different types of tokens for three separate packages in a series called "NFT Yourself". The band became the first to sell a newly-released album in the form of a non-fungible token, a type of cryptocurrency that contains unique assets such as music and art. The album itself was released on March 5. Six days later, the name of the album was announced and saw the release of its two lead singles: "The Bandit" and " 100,000 People". On January 1, 2021, the band teased the song " The Bandit" on Instagram, and subsequently posted five more teasers of new songs. Ultimately, with WALLS, Kings of Leon have struck a nice balance between the garage band passion of their early work, and the large scale bombast that made them stars.On March 31, 2020, the band released a live acoustic recording of its first new song in more than three years, "Going Nowhere"-later renamed "Supermarket"-through YouTube and various social media platforms. For longtime fans, there a few dependable arena belters here in the lead-off "Waste a Moment" and the yearning "Over," but, especially in regards to the latter, they beg you to push repeat. Many of the tracks on WALLS also benefit from the added texture of keyboardist Liam O'Neill's various Moog synthesizers, pianos, and Mellotrons. The looser approach also pays dividends as the band dive into the kinetic Afro-pop jauntiness of "Around the World," and commit with wholehearted sincerity to the melodic '80s new wave-meets-'50s rock of "Eyes on You." And while no one will accuse Kings of Leon of taking huge creative chances here, cuts like the ballad "Muchacho," with its endearingly creaky, analog-sounding drum machine, and the sparkling, sweet-toned "Conversation Piece," have the feel of in-the-moment discovery, as if the band recorded them not too soon after working them out. There's also a handful of catchy, pulse-pounding cuts here like sanguinely ecstatic "Find Me" and the swaggeringly heavy-browed "Reverend," both of which find lead singer Caleb Followill retaining his position as the band's biggest asset his emotive southern yawp rife with poetry and lyricism. It's a brief album, clocking ten songs in just over 40 minutes. The result is an album that does feel less claustrophobic than previous efforts, with a lean aesthetic that straddles the gaps between classic Tom Petty, '80s Fleetwood Mac, and more contemporary acts like Arcade Fire. On their seventh studio album, 2016's WALLS, Kings of Leon clearly attempt to crack the surface of that codified shell, hunkering down in Los Angeles with producer Markus Dravs ( Florence + the Machine, Arcade Fire, Mumford & Sons), purportedly taking a looser, less critical approach to recording. Although those albums had their brighter moments (the driving "Supersoaker"), there was a sense that just as KOL ascended to their rightful place in the post- U2 rock royalty, they became codified and predictable. It's a stance the band has assumed unflinchingly, if somewhat doggedly on subsequent albums like 2010's Come Around Sundown and 2013's Mechanical Bull. In some ways, the tonal shift made sense to a band poised to storm the awards stages next to similarly grand-minded acts like Coldplay and the Killers. Buoyed by the popularity of hits "Sex of Fire" and "Use Somebody," the Tennessee four-piece transformed from ragged, post-punk upstarts into arena-bait arbiters of anthemic, mainstream rock uplift, exposing their abiding love for U2 in the process. It's easy to forget that when Kings of Leon broke through in 2008 with Only by the Night, they were already four albums deep into their career.
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